Art X-15 Specifiche

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SGX NIGHTBASS TABLE OF CONTENTS
INTRODUCTION.................................................................. 1
GETTING STARTED............................................................... 2
INSTALLATION.................................................................. 3
CONNECTIONS............................................................. 3
POWER ............................................................3
INPUTS:........................................................... 3
INSTRUMENT INPUT............................................ 3
LINE INPUT.................................................. 4
OUTPUTS:.......................................................... 4
1/4" LINE OUTPUTS........................................... 4
XLR OUTPUTS................................................. 4
HEADPHONE OUTPUT............................................ 4
CROSSOVER OUTPUTS........................................... 4
EFFECT LOOP SEND and RETURN................................. 4
EFFECT LOOP 1............................................... 4
EFFECT LOOP 2............................................... 5
MIDI IN........................................................... 5
MIDI OUT.......................................................... 5
MIDI THRU......................................................... 5
PWR OUT........................................................... 5
CONTROLS AND OPERATION........................................................ 5
LIQUID CRYSTAL DISPLAY.................................................. 5
LED EFFECT INDICATOR ARRAY.............................................. 6
INPUT LEVEL INDICATORS.................................................. 6
DIGITAL PROCESSOR INPUT LEVEL CONTROL................................... 7
MAINS/XLR OUTPUT LEVEL CONTROL.......................................... 7
SEVEN SEGMENT DISPLAY................................................... 7
ROTARY CONTROLS......................................................... 7
ENCODER................................................................. 7
INPUT GAIN........................................................ 7
SECOND STAGE EQUALIZATION......................................... 7
THRUST...................................................... 7
BOOST ......................................................7
PUNCH ......................................................8
BRILLIANCE.................................................. 8
TUBE CONTOUR...................................................... 8
CROSSOVER BALANCE................................................. 8
STEREO MASTER OUTPUT.............................................. 8
PUSH SWITCHES........................................................... 8
MASTER OVERIDE:
EFX LOOP 1.................................................. 8
EFX LOOP 2.................................................. 8
CONTROL BUTTONS............................................................... 8
FUNCTION BUTTONS........................................................ 9
PRESET............................................................ 9
MIX ............................................................9
PARAM ...........................................................10
VALUE ...........................................................10
BYPASS........................................................... 10
EDIT MODE........................................................ 11
EDIT MODE CONTROL BUTTONS.............................................. 11
ENTER ...........................................................11
RECALL........................................................... 12
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Sommario

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iSGX NIGHTBASS TABLE OF CONTENTSINTRODUCTION... 1GETTING STARTED...

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6abbreviated description of effects stored, effects to be selected or deleted inthe preset, and effect parameter information. Other information may ap

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7NOTE: For additional information regarding proper signal levels, refer to theLevel section in Appendix A.DIGITAL PROCESSOR INPUT LEVEL CONTROLThis sl

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8BOOSTAt 250Hz, control the upper end of your lows and lower mids to add some depth tothe signal.PUNCH1KHz is the center point of this band. Use it to

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9keypad entry buttons are used for preset effects control and utilities to beaccessed. These functions are labeled in grey.FUNCTION BUTTONSThe functio

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10You do not need to engage the PARAM button to change the Mix parameters. Todisengage the MIX button, press either the Preset, Param or Value button.

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11by the display [ ****ACTIVE****] for about two seconds and then just displayingthe preset name and effects.NOTES:1) If the MIX parameters are progra

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12NIGHTBASS, you will hear the effect when you press the ENTER button. To make theeffect permanent, press the STORE button.To close the Add Effect fun

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13NOTE: Before you start building your own presets, read the section "LevelProgramming Hints for Building Your Own Presets" in Appendix A.DE

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14easy to delete stored presets. Presets 116 through 200 are null when you receiveyour unit or after a factory reset.REC/ARMYOU MUST BE USING A PRESE

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15*If the Param button is pressed, you may move the cursor left and right with theEncoder to position it for the next character.*Pressing the Value or

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iiADD EFFECT... 12DELETE EFFECT... 13STORE ..

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16the through signal level will be whatever this value is set to. The initialdefault setting is 100%.When the value is set to [= MIX DRY LEVEL], the D

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17LCD View Angle [6]Allows the viewing angle of the LCD Display to be adjusted. You may change theLCD view angle for the best visibility. The angle ma

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18UNLOCKING THE FACTORY PRESETS-Make sure you are in the EDIT Mode. (Press EDIT button if not)-Press the UTILITY button.-Press the Param button.-Use t

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19FX ON/OFF ENABLE (USING X-15)ON, OFF [ON]When the NIGHTBASS is used with an ART X-15 ULTRAFOOT, the two devices "talk" toeach other. In or

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20For detailed information, please refer to the MIDI DATA MONITOR section listedunder the Description of Algorithms section.PRESS ENTER TO:SEND A PRES

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21(especially with an X-15) you virtually plug in and play. But, if you want toprogram, we've made that easy too.Modification to select the speci

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22(or defaults) to which algorithms may be combined and displays them in the LCDwhen you are "ADDing an EFFECT".All of the analog and digita

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23RATIO: [1:3] OFF, 1:1.5, 1:1.8, 1:2, 1:2.5, 1:3, 1:4, 1:5The expander is an extention of the compressor. (You don't need the Compressor inthe e

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24Use the Harmonic Exciter when you want to enhance or add life to your instrumentand add clarity to vocals in a mix. As you turn the Range parameter

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25SIGNAL FREQUENCY SHAPING ALGORITHMSEQUALIZER (SEVEN BAND EQUALIZER)[EQUALIZER],[EQL]Parameters:40Hz [0dB] (+/-) 2,4,6,9,12,15 dB100Hz [0dB] (+/-) 2

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iiiREGEN-DDL-S... 32REGEN-DDL-L... 32STEREO-DD

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26Better than an equalizer, the AES program actually knocks out frequencies overthe entire spectrum, simulating real world acoustics. AES lets you war

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27REGENeration is useful when you stack the Pitch Transposer with the MONO DDLalgorithm. Each time a repeat is done it is shifted up or down by the pi

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28with the speed parameter. Like the FLANGER, the effect type may either be POST orPRE located in relation to reverb or delay. The output level of the

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29:HFDAMP = [14%] 0 to 50 percent in % increments:POSITN= [83%] FRONT to REAR in % increments:LEVEL = [100%] 0 to 100 percent in % incrementsREVERB-2[

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30Position (POSITN) puts you the listener where you hear reverb reflections. Frontpositions you close to the initial signal so you hear more 1st refle

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31Gated reverb TYPEs have differences in their decay characteristics. Thedifference between normal reverb decays and decays when a gated program is th

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32are closer together. As the taps approach the set delay in the Lengthened modethey are farther apart. In the types you will see an [m] and an [s], t

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33STEREO-DDL-S[STREO-DDL-S], [DDL]Stereo Digital Delay - ShortParameters::DLY-L* = [80ms] 0 to 1100ms:L-FINE* = [0ms] 0 to 50ms in 1ms increments:DLY-

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34LENGTH= [1.30s] 0.02 to 1.30 seconds in 20ms incrementsSTART= [5ms] 0 to 100ms in 1ms incrementsLEVEL= [100%] 0 to 100 percent in % incrementsSAMPLE

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35Start allows you to trim the beginning of the sample removing annoying clicks,unwanted sample material or dead space.Level sets the amount of signal

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ivAPPENDIX F ...57GUITAR OR KEYBOARD INTO NIGHTBASS, CONTROLLED BY AN X-15 ULTRAFOOT..

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36Select which preamp circuit you use. Four choices are available to insert into apreset. Brite Tube and Smooth Tube use the 12AX7A as either a clean

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37By adding Programmable Level to the effects chain, you are capable of setting themaster output level of each individual preset easily. The Programma

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38before attempting continued tuning. The most accurate tuning will be obtained byadjusting the string after it has "sung" for some time whi

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39   DISPLAY 1:      INSUFFICIENT INPUT SIGNAL  

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40portion of the window that displays the actual value is blanked until the newMIDI event data is received.Example of PERFORMANCE MIDI Controller Defi

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41Examples of Screen Displays for MIDI CONTROLLER #4 FOOT CONTROLLER "ENGLISHed" Mode "RAW DATA" Mode Decim

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42   DISPLAYED TEXT  ACTUAL NAME  MIDI CONTROLLER #  

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43MISCELLANEOUS INFORMATIONAbout the PresetsThe presets of the NIGHTBASS are grouped together for various sounds andapplications. Locations 1 thru 20

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44will answer technical questions about ART products and provide informationconcerning service if needed. ART NIGHTBASS SPECIFICATIONS Total Presets.

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45APPENDIX AHELPFUL HINTSBuilding Your Own PresetsBuilding presets is easy, really. Don't let all those effects possibilities scareyou. What we s

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1INTRODUCTIONThank you and congratulations on your new ART purchase. The NIGHTBASS combinesthe dazzling effects of ART's own digital VLSI technol

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463) Whenever you add an effect that has gain (ie. compressor or distortion), addthe Expander first and if the noise is still high, add the Noise Gate

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47for your normal maximum operating level. Select the crossover frequency with theCrossover Frequency control on the front panel. To fine tune the ba

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48APPENDIX BEXAMPLESCOPYING A PRESETYou may copy a preset from any location into another easily. (If you want to copya factory preset into another fac

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49NOTE: Don't forget, many foot pedals are configured for their preset 1 to recallMIDI program 0. This example allows for this and preset 1 is re

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50in Example 3 with a footswitch. Example five shows how to program the REMOTE jackfor normal bypass operation.EXAMPLE 3Setting up a preset sequence i

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51 REMOTE SWITCH 2  = DECR PROGS 9EXAMPLE 5Adding Performance MIDI to an existing preset.In this example we

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52APPENDIX CNIGHTBASS MIDI MESSAGESThe NIGHTBASS responds to the following messages:Program change:Cxh ddhx = channel number 0h to Fh for channels 1 t

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53DETAILED DESCRIPTION OF MESSAGESSet Bypass OFF: F0 1A 0x 13 03 00 00 F7Set Bypass ON: F0 1A 0x 13 03 00 01 F7This allows remotely setting the state

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54 APPENDIX D MIDI Implementation ChartART NIGHTBASS model 490; Date: DECEMBER 1991; VER 1.0|--

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55Notes: 1: Factory default is channel 1, OMNI ON. Current setting is maintained in non-volatile RAM and does not change when the NIGHTBASS

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2GETTING STARTEDWe have included this section for those of you who can't wait to experience thepower of your new NIGHTBASS. Follow the hookup dir

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56APPENDIX EMIDI: CONTROLLERS & NUMBERS

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57APPENDIX FGUITAR OR KEYBOARD INTO NIGHTBASS, CONTROLLED BY AN X-15 ULTRAFOOT   BASS  

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58APPENDIX GUSING THE NIGHTBASS WITH AN X-15 ULTRAFOOTWhen an ART X-15 ULTRAFOOT is used with the NIGHTBASS, remote control of theparameters and the a

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59WARRANTY & SERVICE INFORMATIONLIMITED WARRANTYWarranty service for this unit will be provided by Applied Research & Technology,Inc. in accor

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60NIGHTBASS PRESET LIST1 POWER PUNCH REV-3 CMP EXP EQL XOR LVL 1 controller: 112 BASS GTR TNR TNR CMP EXP (no controllers)3 BIG ES

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6140 SLAP JAZZ BASS (no digital) CMP NGT EQL LVL (no controllers)41 ACTIVE JAZZ BASS (no digital) CMP PRA NGT EQL (no controllers

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62 CMP EXP DST HAR PRA NGT EQL LVL 3 controllers: 11 488 VH BROWN/X-15 LPF R-DDL-S REV-1 CHO CMP EXP DST PRA NGT EQL AES LVL 4 contr

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63How to Read the Preset Description 12 TWIN MELLOW BASS  → Title Line  PTR REV-1  → D

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64 T-DDL-S TAPPED-DDL-SHORT [TAP'D-DDL-S], [DDL] T-DDL-L TAPPED-DDL-LONG [TAP'D-DDL-L], [DDL] TNR GUITAR TUNER [TUNER], [TNR]

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3INSTRUMENT & POWER AMP USING LINE OUTPUTSPlug your instrument into the Instrument Input jack located on the front panel.Connect a cable from your

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4LINE INPUTLine inputs are located on the rear panel. If you are using a mono source to therear panel Line inputs, use the Left (Mono) jack. True ster

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5EFFECT LOOP 2Effect Loop 2 is a stereo send and return located after the Mix section.Connections are standard 1/4" mono jacks. Use this loop to

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